Are movies a good way to understand the atmosphere of a
period? Can we get a feeling for what it
was like to live in America fifty years ago by looking at the movies Americans
watched? Maybe. It seems to me that it has to tell us
something, so let’s give it a try.
1962 was really an amazing year for the movie industry. The top box office earners, which seems to tell
us the most about those Americans, were:
The Longest Day
In Search of the Castaways
Lawrence of Arabia
How the West Was Won
The Music Man
Two of these pictures – The Longest Day and How
the West Was Won – are huge, sweeping movies with ensemble casts. The Longest Day included John Wayne,
Richard Burton, Red Buttons, Robert Mitchum, Henry Fonda, Rod Steiger, Eddie
Albert, Christopher Lee, and many others.
How the West Was Won included John Wayne, Spencer Tracy,
Gregory Peck, Karl Malden, Eli Wallach, Henry Fonda, George Peppard, Debbie
Reynolds, Jimmy Stewart, and Walter Brennan, to name only a few of its
celebrities. In many ways, Lawrence
of Arabia (rated by many as the best movie of the year and among the
best of all times) was just as sweeping as the first two.
The Longest Day is, of course, about “D-Day” – the Allied invasion
of France in World War II. Those who
fought on that day were in most cases still under 40. They were just reaching their prime as family
men (they were 99% men), business and civic leaders, elected officials, etc. And they were notoriously reticent to discuss
their fighting. You have to wonder whether
they were filling those theater seats, or whether it was their parents,
children and friends, trying to understand a small part of what they had been
through.
The Longest Day trailer
![]() |
| Hayley Mills |
In Search of the Castaways, the Disney picture on the list, was
a sea saga based on a Jules Verne story.
It featured Hayley Mills, one of the best known teenage actors of the
1960s. The Music Man was one of those big, lush musicals based on Broadway
productions that were common in the 1960s.
Some of the others from the decade included The Sound of Music, West
Side Story, Mary Poppins, The Music Man, Funny Girl, Oliver!, Thoroughly Modern Millie, My Fair Lady, Bye Bye Birdie, Camelot,
and The Unsinkable Molly Brown.
Perhaps one of the most revealing facts about the early 1960s is that
there was no need for a film rating system.
These top-grossing productions featured no sex or bad language, and the
violence was not graphic. The current
rating system was not considered necessary until the major studios released films
such as The Pawnbroker (1965), Blow-Up (1966), and Who's
Afraid of Virginia Woolf? (1966), which were among the first to feature
nudity and profanity.
We’ll come back to movies many times in this blog – there is so much
more to explore and absorb. I think the
first lesson, however, is that in many ways, 1962 was a much simpler time. It was a “G” rated world – at least on the
surface.


No comments:
Post a Comment